Project
Visegrad Calling
Quality, numbers, recognition, popularity or perhaps trivial costs - what influences distributors' purchases? Agreeing line with the programme concept (and the organisers' passion) of Cinema at the Border, among those involved in the distribution of films produced in the Visegrad countries, we will consider why it is so difficult to to find these films in cinemas? What are the distribution experiences, fears and hopes?
Status: Confirmed