Exhibition • Bratislava
Potential Agrarianisms—Will there still be sugar after the rebellion?
Curator: Maja & Reuben Fowkes (UK); exhibiting artists: Melanie Bonajo (NL), Gerard Ortín Castellví (ES), Anetta Mona Chisa (CZ/RO), Annalee Davis (BB), Ferenc Gróf (FR/HU) with Jean-Baptiste Naudy (FR), Oto Hudec (SK), Marzia Migliora (IT), MyVillages (NL), Ilona Németh (SK), Uriel Orlow (UK/CH), Prabhakar Pachpute (IN), Alicja Rogalska (UK/PL). Potential Agrarianisms sets out to diversify agriculture and pluralise its histories, recovering suppressed peasant pasts and activating their unrealised possibilities, destabilising urban-rural dichotomies, repairing the disconnect with the natural world and restoring caring and reciprocal relationships to the soils and plants that nourish us. Uncovering its origins in colonial plantations and embeddedness in the operations of extractive capitalism, the exhibition explores alternatives to the globalised system of industrial agriculture with its patent formula of chemical additives, noxious pesticides and genetically modified seeds, vigorously cultivated with fossil fuel machinery. The rediscovery and reimagining of attentive relations to the land challenges the relentless expansion of intensive farming which promised a new age of abundance, but by depleting the natural vitality of the soil, endangering biodiversity and contributing to climate change now undermines its own aims. Drawing on feminist, postsocialist, black, indigenous and beyond-human perspectives, the artists in this exhibition propose reparative and future oriented land reforms for a just social and ecological transition. The planetary scale of the transformation of agricultural methods and rural life since the colonisation of the Americas and onset of industrial modernity is epitomised by the parallel trajectories of sugar cane and sugar beet, whose potential histories are reactivated by artists in the show. Decolonial theorist Ariella Aïsha Azoulay’s observation that ‘potential history does not mend worlds after violence but rewinds to the moment before the violence occurred and sets off from there’ also speaks to the entwined social and environmental predicaments of the land. Artists in the exhibition rewind to the moment before the establishment of monocultural plantations, before a patchwork of biodiverse farms was ploughed over, erasing centuries of situated plant knowledges, and before genetically modified corn replaced varieties cultivated by First Nations to suggest that another agrarian path was and is still possible. These art practices infer that in order to establish reparatory procedures, it is necessary to understand the complexity and interconnectedness of agrarian struggles in which all terrestrials, the flourishing of plants, the vitality of the soil and wellbeing of Earth are at stake…
https://kunsthallebratislava.sk/en/event/potential-agrarianisms
